ng, the traditional form and methods having been completed or exhausted in his ônovel to end all novelsö (Levin James Joyce, a Critical Introduction 207).
Eliot pronounced Ulysses as ôthe most important expression which the present age has found; it is a book to which we are all indebted and from which none of us can escapeö (Eliot 175).
The innovative style and literary techniques of Joyce include the interior monologue or stream-of consciousness (not invented by Joyce but used most creatively by
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