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es, Goya may already have been alerted to the impending commission since he knew members of the group, including the father-in-law of Javier Goya.

Indeed, Goya signed and dated portraits of three of the most important members of the Company in 1815. And these portraits have become an important source for identifying some of the participants in the meeting. Most significant is the identification of the man in the doorway as Miguel de Lardizabal,

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