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en in a positive light;

2) a preference for the life and products of a primitive people, with primitive here being either cultural or chronological;

3) an exaltation of an earlier and more primitive stage of history; and

4) a preference for nostalgia in terms of accepting natural simplicity over artificial complication (Widmer 342).

Widmer finds that one of the most emphatic uses of the primitive in Lawrence's work is to be found in "The Woman Who Rode Away" in which the main

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