amic or wood containers, painted or glazed with gold and other bright colors (Aditi 77).
Almost every medium imaginable is put to creative use in India. Iron becomes bells or ritual oil lamps, ivory becomes carved jewelry or household items, textiles are intricately stitched and re-stitched, and paper, as well as other materials is painted on, depicting scenes and symbolism central to Indian life and meaning.
Much of the subject matter of classical Indian fine art revolves around the relationship of the culture to its religions and the relationships
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