The artifact from Tell Asmar known as ôStanding Manö is typical of many sculptures from this ancient Middle East civilization. In my own words, the ôStanding Manö depicts a tall, older man with a long beard and long hair who is standing erect with his hands brought in front of him in a clasp. When I view this artifact, I observe a stately figure that appears strong, of almost regal bearing, and one who seems to project wisdom and positive energy from his facial expression. Despite my impressions, on deeper analysis the ôStanding Manö represents much more about Sumerians, their culture, and their values.
A creation of Sumerian artists, the ôStanding Man,ö according to Riebold Benton and DiYanni (2005, p. 10), is ôàeasily recognized by [its] large eyes, single eyebrow, and seemingly asymmetric facial expression.ö The ôStanding Manö tells quite an interesting story about the Sumerians and their culture and values. The ôStanding Manö is often compared to Abu, the god of vegetation, and demonstrates the regal, wise bearing Sumerians associated with their numerous gods. These gods were often associated with nature and natural phenomenon, a fact readily apparent by the peaceful tranquility of the ôStanding ManÆsö posturing, as well as by his abundant facial hair and long hair. Sumerians would pray to this god for rain, fertile grounds, and abundant harvests. As one art historian maintains, in this era ôàall freestanding art was public art,ö which allowed Sumerians to freely offer tributes or prayers to the ôStanding Man,ö (Physical, 2005, p. 3).
There are a number of values and beliefs reflected in the ôStanding Manö sculpture. Among these is the primary representation of the Sumerians themselves. As one art historian suggests, this sculpture represents ôàSumerian man, clearly representing the structural type of these ancient featuresà[with]àits large and widely spaced
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